Yes, there was a real Dracula, and he was a true prince of darkness. He was Prince Vlad III Dracula, also known as Vlad Tepes, meaning "Vlad the Impaler." The Turks called him Kaziglu Bey, or "the Impaler Prince." He was the prince of Walachia, but, as legend suggests, he was born in Transylvania, which at that time was ruled by Hungary.
Early theologians had a real problem with the status of women in regard to Genesis. Here is this supposedly weak creature twisting Man around her finger and bringing death on the entire race. A "logical" answer presented itself in splitting woman into the Madonna/whore dichotomy. There was even a Biblical basis for Lilith.
Recent years have seen a marked increase in the number of television shows with a supernatural bent. The Warner Bros. Network is at the forefront of this trend, combining inhuman characters such as witches, vampires, and aliens with teen angst in the shows Charmed, Roswell, Angel, and Buffy the Vampire Slayer.
In _The_Dracula_Tape_ by Fred Saberhagen, Count Dracula explains that he is not frightened by religious symbols, but that he has such respect for Christianity (being a Catholic himself, as I recall) that he objects to the profaning of sacred symbols by their use against him. He is physically unharmed.
Throughout the ages, attacks on people have been attributed to supernatural creatures like werewolves and vampires, but in 1886, a German neurologist named Richard von Krafft-Ebing noted the compulsive and sexual presentation of the attacks. He wrote about them in Psychopathia Sexualis, and many of his 238 case histories concerned a violent eroticism triggered by blood.
Barbara Shelley (born August 15, 1933) is a British film and television actress, known as the true "first lady of Hammer horror." She was very active in the 1960's, appearing in a string of Hammer horror films.After working as a model in her native London, she began her film career in Italy in 1953. But it wasn't until she returned to England that her film career took off, appearing in a number of Hammer movies.
I should certainly be pleased to play the part of Dracula again on the screen (surely it is the immortal role par excellence?), although I have many times refused to accept it. Nowadays I think the public identifies me with this part, and if I have sometimes refused it, it was for fear that, like the unfortunate Bela Lugosi, I should spend the rest of my life unable to play anything else.
Just occasionally, when one has wandered into a certain section of Waterstone's, one wonders what it must be like to be the sort of author who writes about hellish demons, throat-gouging werewolves, maggots emerging from corpses' nostrils and vampire bloodbaths. Darren O'Shaughnessy could tell you all about it.
There are essentially three roles of women in the vampire world. Women may be victims or vampires themselves. The third level of attachment to the vampire world (VW) is an outside attachment, and that belongs to the women who are mere observers, such as anyone who reads a vampire book and is drawn to it.
Let's start right in at the beginning then, with the first Renfield. At least, the first Renfield who was actually called by that name. He is a character in Bram Stoker's classic, _Dracula_, who is somehow psychically linked with the vampire.